Wednesday, July 01, 2015

Tuesday, June 30, 2015

shame.

a video.

starring tyrese and jennifer hudson.

good for you.

a video.

from selena gomez.


holding on.

a video.

from disclosure and gregory porter.


alright

a video.

starring kendrick lamar. 


Monday, June 29, 2015

play no games.

a video.

from big sean, chris brown, & ty dolla $ign.


Friday, June 26, 2015

mood.


the mighty o.

a moment of clarity. 

words. 

from president barack obama.

“I think we are born into this world and inherit all the grudges and rivalries and hatreds and sins of the past,” he continued. “But we also inherit the beauty and the joy and goodness of our forebears. And we’re on this planet a pretty short time, so that we cannot remake the world entirely during this little stretch that we have. … But I think our decisions matter. And I think America was very lucky that Abraham Lincoln was President when he was President. If he hadn’t been, the course of history would be very different. But I also think that, despite being the greatest President, in my mind, in our history, it took another hundred and fifty years before African-Americans had anything approaching formal equality, much less real equality. I think that doesn’t diminish Lincoln’s achievements, but it acknowledges that, at the end of the day, we’re part of a long-running story. We just try to get our paragraph right.”

It turns out that this was not, for Barack Obama, a rhetoric of resignation at all, but a kind of resolve."

THE NEW YORKER: Ten Days in June

Thursday, June 25, 2015

'nuff said.



words.

"Kendrick Lamar, Killer Mike, Lauryn Hill, Common and John Legend, J. Cole, and just this week in light of the Charleston shootings, Kanye West have served as musical voices in the chapter of the Civil Rights story that’s playing out, violently, right now. Their efforts are not to be diminished, but there’s nothing to rival the sense of activism that permeated Simone’s work and life. As her daughter Lisa notes in the film, political tragedy sustained Simone — a quality that defines ‘Nuff Said, where her rage and sadness over MLK translates into one of her most dynamic live performances ever recorded. And this being Nina Simone, that’s no easy feat.

We need more radical black art to emerge right now — overtly political music that forces the white mainstream to see the world through someone else’s eyes, risk of audience alienation be damned. Lamar’s To Pimp A Butterfly or Cole’s “Be Free” feel like just the beginning in comparison to the sacrifices Simone made, as evidenced with great detail in What Happened, Miss Simone?."

FLAVORWIRE: The Civil Rights Movement of 2015 Could Use a Voice Like Nina Simone

2 late.

 starring toro y moi, kool a.d., & safe.




100.

starring drake & the game.

stream here.

a moment of clarity.

 an ongoing discussion...

words.

"...But sitting in the van and watching people just living their lives, I started to see that these were just people. They weren’t that different from me. They had to pay rent. See their kids off to school. The main difference is that as a white kid growing up in my neighborhood, I was never going to get arrested for playing basketball in the street. I was never going to get patted down because I was standing on a street corner. There was no chance I was going to get a criminal record early on for basically being a kid. As a teen, I was never going to get arrested for having a dime bag in my pocket, because no one would ever have known. There was just no possibility that a cop was ever going to stop me and search me.

When you watch people for hours and hours like that, you start to see the big picture. You start to see the cycle of how these kids get put in the system at a young age, often for doing nothing wrong, and how that limits their options, which pushes them into selling drugs or other crime. You start to see that they never had a chance..."

THE WASHINGTON POST: An interview with the Baltimore cop who’s revealing all the horrible things he saw on the job